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      • Papusza
        • Papusza

          PAPUŠA

          • Country:
          • Poland, 2013
          • Group:
          • Europe
          • Duration:
          • 131'
          • Director:
          • Joanna Kos-Krauze, Krzysztof Krauze
          • Screenplay:
          • Joanna Kos-Krauze, Krzysztof Krauze
          • Cast:
          • Jowita Budnik, Antoni Pawlicki, Zbigniew Waleryś, Artur Steranko
          • Festivals:
          • Karlovi Vari, Solun, Valjadolid, Španija (Najbolja muška uloga  Zbignjev Valeris, Najbolja režija, Najbolji film po odluci Omla
          • Cinematographer:
          • Krzysztof Ptak, Wojciech Staroń
          • Muzika:
          • Jan Kanty Pawluśkiewicz
          • Editing:
          • Krzysztof Szpetmański
          • Production Design:
          • Anna Wunderlich
          • Sound:
          • Mateusz Adamczyk, Jarosław Bajdowski, Sebastian Witkowski
          • Production:
          • Argomedia
          • Producers:
          • Lambros Ziotas
          • Print Source:
          • New Europe Film Sales
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        • Showing

          08. Mar | 20:00 | 300 RSD
          Dom omladine

          09. Mar | 15:00 | 220 RSD
          Dom omladine

        • SYNOPSIS

          Romany poet Bronisława Wajs (1908-1987), known as Papusza, is a Polish legend. Instead of attempting a classical biographical piece, the filmmakers bring to life events that were important both for the destiny of this talented woman, and for the modern history of her ethnic group. The black-and-white photography conjures up a poetic and, in places, raw testimony of the regions travelled by the Romanies before the Second World War and immediately after it. The film also treats the decline of their best traditions, and the physical and moral deprivation they suffered after being forced to abandon their nomadic existence. Although Papusza at various stages of her life remains the focus of the story, it is not until the latter half of the movie that fragments are pieced together to form a picture of her youth, her unhappy marriage, her character and also her custom of setting down her experiences and feelings in verse on scraps of paper. The film moves between several time planes which, while requiring vigilance from the audience, makes for a compelling evocation of the personal tragedy of a woman whose poetic gift brought her fame, but also damnation.

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